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Brendan Gleeson (from left), Martin McDonagh and Colin Farrell have a laugh on the set of "In Bruges"

Brendan Gleeson (from left), Martin McDonagh and Colin Farrell have a laugh on the set of "In Bruges"

Two hit men walk into a bar ... in Bruges

Brendan Gleeson (from left), Martin McDonagh and Colin Farrell have a laugh on the set of "In Bruges"

Brendan Gleeson (from left), Martin McDonagh and Colin Farrell have a laugh on the set of "In Bruges"

MOVIE OF THE WEEK: "In Bruges"

Martin McDonagh has been getting more exposure than usual since his film “Two Billboards Outside Ebbing, Missouri” has been burning up the awards season with major wins at the Golden Globes and Screen Actors Guild Awards. And now “Two Billboards” is nominated for a best picture Oscar. The native Londoner has already won an Oscar for his 2006 short film “Six Shooter,” and he was nominated for writing the original screenplay for the film I’m recommending this week – “In Bruges.”

“In Bruges,” both a black comedy and a crime thriller, didn’t get the attention it warranted when released in 2008. Colin Farrell and Brendan Gleeson are Irish hit men for London gangster Ralph Fiennes. Gleeson, a seasoned pro, is a kind of mentor to the recently hired Farrell. After Farrell botches his first job in a poignantly tragic way, Fiennes sends him and Gleeson to the quaint, medieval town of Bruges, Belgium, to lay low. Although Gleeson slowly warms to the place, neither hit man is happy about being in Bruges, and the fact that they are stuck in Bruges becomes an ongoing joke throughout the movie.

They spend their time waiting for Fiennes to call and tell them to come home, sightseeing and mixing with the locals. Farrell is also brooding over his mistake back in London, but he finds some joy – and more than a little trouble – in the company of a young woman played by Clémence Poésy.

“In Bruges” has an offbeat and endearing story carried by the strong character work by Gleeson, Farrell and Fiennes. Farrell is volatile but also charming and touchingly grief-stricken. Gleeson is a wiser, calming influence trying to keep the boy from going off the deep end. And Fiennes is hysterical as the hot-headed, tyrannical mob boss determined to enforce his own twisted brand of justice. Their shenanigans in Bruges lead to one of the most memorable endings of any movie of the 2000s.

“In Bruges” is a fun, irreverent film with humor, action, a little romance and real pathos. If you saw “Three Billboards” and want more of writer-director Martin McDonagh, “In Bruges” is an excellent place to start. If you’ve never even heard of McDonagh and just want a highly entertaining movie to enjoy, “In Bruges” is still the way to go.

Posted in Movies and tagged with In Bruges, Colin Farrell, Brendan Gleeson, Martin McDonagh, Ralph Fiennes, Three Billboards Outside Ebbing.

February 10, 2018 by Monica Elliott.
  • February 10, 2018
  • Monica Elliott
  • In Bruges
  • Colin Farrell
  • Brendan Gleeson
  • Martin McDonagh
  • Ralph Fiennes
  • Three Billboards Outside Ebbing
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CLASSIC CINEMA THEN AND NOW

Movies are not life, but they can teach you about life. They can capture the imagination, inspire the faint of heart, and broaden the minds of the mired. Join me, writer/editor Monica Elliott, in appreciating the powerful art form that is storytelling - that is cinema.

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